연구정보
Il cinema come campo di battaglia. Cineaste iraniane, la guerra con l’Iraq e la crisi in Afghanistan
남아시아 일반 국외연구자료 기타 Anna Vanzan Storia delle Donne 발간일 : 2016-09-01 등록일 : 2016-09-01 원문링크
Globally speaking, War Cinema is predominantly a male construction. Though Iranian cinema makes no exception, in this rich cinematic production some women directors have been trying to build a gender constructed narrative of war. The article explores how women artists are using external conflicts problematically, as a metaphor for the internal war Iranian women have been fighting in the last decades.
본 페이지에 등재된 자료는 운영기관(KIEP) 및 EMERiCs의 공식적인 입장을 대변하고 있지 않습니다.
| 이전글 | (The) Role of religious leaders behind U.S. War in Afghanistan | 2016-09-01 |
|---|---|---|
| 다음글 | Book Review: Empire’s Ally, Canada and the War in Afghanistan | 2016-09-01 |
