아프리카ㆍ중동

This paper discusses the identity constructions of the Coptic Christian minority of Egypt during conflict and in particular through the theme of commemoration of martyrdom. In the aftermath of the attacks against them on October 9, 2011, (what is known as the "Maspero Massacre") Coptic social movements resorted to performative protests to celebrate their "martyrs". This paper analyses the visual representations of two such protests and examines how different themes and symbols from different traditions were used: Coptic Christian, Pharaonic and as well as nationalist Egyptian traditions. This paper argues that through these performances members of the community aimed to reconstruct and reassert their identity in public space as well produce oppositional nationalist discourses that interplay with social conflicts. Through examining videos and photos of these performances, this paper conducts an intertextual analysis of the visual aspects of the protests in order to reveal their political meaning as well as their contradictions.